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It’s almost inconceivable that it’s only five years since the arrival of CMAT, as she approaches the release of her third album, Euro-Country. This BRITs / Mercury / Ivors-nominated acronymic star feels like she’s been part of the culture forever - and what has endeared fans to her heart-sore tunes and humour is CMAT's ability to combine contradictory themes and moods: wide-eye drama with self-deprecation.
Country music has always been a lynchpin for CMAT, but this is country in an augmented, reimagined way. Mixed with classic indie and affirmative soul-pop, it resists the music industry’s desire to pigeonhole artists as one genre. Not only is there a palpable tonal shift, Euro-Country also feels like a huge step-up creatively. There is a sense of determination, of urgency, of ‘gather round and listen up’.
